A Mountain is Harder to Climb than you Think

In November 2021, I undertook my most arduous challenge to date. I carried three stone sculptures, their plinths, three paintings and a mobile studio, on his back up to the remote ‘Bone Caves’ in the far north of Scotland. I set up a studio and completed the paintings in the cave, camping overnight. I was joined by a small film crew and my two sons. The first iteration of the exhibition took place in the cave, the morning after his ascent. 

This exhibition presents the completed artworks, accompanied by the film documenting his experience. Hosted by LTD Ink Corporation and presented by The Rafiki Gallery. April, 2022.


Time Travel

Solo exhibition at SpaceBY, a platform curated by The Fourth Gallery, Cape Town. Channelling Giotto, Aceton, Artiemis, birdsong and the space-time continuum. December 2021



These works on found journal paper are part of an ongoing series I’ve been working on over the past year or so. They sit at an intersection between an ancient recollection and an instinct for where I’m headed. They are my face, and flickers of other faces I’ve seen and stored in my subconscious. Maybe some of them come from much earlier, from some kind of collective subconscious. They have become part of my daily studio practice. I often make one at the end or beginning of the day. They are a great release and happen spontaneously, sometimes easily and sometimes with great struggle.

Drawings from Memory (ancient and recent)

Oil stick on found journal paper

18 x 25cm (unframed)



200days/200works/200pounds challenge. From the middle of 2021 I released a new work on Instagram every day for 200 days. Each work was available for £200. The works all sold and led to my next challenge, 365/365/365 which will run for the duration of 2022.


Breathing Spaces

Solo exhibition, LTD Ink Corporation, Edinburgh. 2021


Der Heilige Berg

Solo exhibition at Gallery MOMO Cape Town and Johannesburg.

A body of work centred on a mountain in the Scottish Highlands. The works were completed on residency at The Nirox Foundation near Johannesburg.

"The artist channeled exactly this mountain impulse into the work – collectively entitled ’Der Heilige Berg’ (’The Holy Mountain’). Freemantle found the Scottish mountains after being directed by Richard Demarco; and as it turns out, so did Joseph Beuys in the 70s, who declared it ’the last remaining wilderness in Northern Europe’ (images of Beuys on Rannoch Moor are incorporated into the show).

The mountains, now on canvas, are painted from rocks, ochres and slates gathered from two of the ranges he’s spent time in. Freemantle would methodically grind these materials down into powder and then mix them with beeswax, turpentine, linseed oil and Damar resin. Thus, the paintings are the mountain."